Canadian Opera Company presents operatic favourite, “Il Trovatore,” with a world-class cast in debut performances


August 16, 2012

Toronto – The Canadian Opera Company’s 2012/2013 season opens with the quintessential Italian opera, Giuseppe Verdi’s Il Trovatore, featuring internationally renowned Mexican tenor Ramón Vargas and acclaimed Canadian baritone Russell Braun in role debut performances.  A staple of the operatic repertoire, Il Trovatore has mesmerized audiences since its premiere in 1853 with its fiery, melodramatic tale of the vengeful gypsy Azucena, her son Manrico’s romance with the noblewoman Leonora, and his rivalry with Conte di Luna.  Last performed by the COC in 2005, Il Trovatore returns with director Charles Roubaud’s acclaimed production from Opéra de Marseille and celebrated conductor Marco Guidarini leading the COC Orchestra and Chorus through Verdi’s rich score.  Il Trovatore is sung in Italian with English SURTITLES™ and runs for 10 performances at the Four Seasons Centre for the Performing Arts on Sept. 29, Oct. 2, 5, 10, 13, 19, 21, 25, 28, and 31, 2012.

It’s been said that all it takes for a successful performance of Il Trovatore are four of the greatest singers in the world to fulfil the demanding roles of Manrico, Conte di Luna, Azucena and Leonora.  The COC has brought together a world-class cast to helm Verdi’s thrilling tale of love, hate and revenge.  Ramón Vargas, one of the leading tenors of our time, who last appeared with the COC for the company’s 60th anniversary concert, returns to make his mainstage and role debut as the rebel troubadour Manrico.  He’s joined in the role by Italian tenor Riccardo Massi, who’s quickly gathering international acclaim following debut performances at La Scala, Glyndebourne Festival, Staatsoper Berlin and Metropolitan Opera.  Massi makes his COC debut when he sings Manrico on Oct. 28 and 31, 2012.  Cast as Manrico’s rival, the Conte di Luna, is internationally acclaimed Canadian baritone Russell Braun.  He, too, marks a role debut with this production, returning to the company after dazzling COC audiences and critics alike in 2012’s Love from Afar and 2011’s Iphigenia in Tauris.  Russian mezzo-soprano Elena Manistinamakes her COC debut as the gypsy Azucena, bringing her vocal power and dramatic command to a role she reprises following performances at Gran Teatre del Liceu and Opéra national de Bordeaux.  South African soprano Elza van den Heever makes her COC debut as the lovelorn Leonora, following a season of triumphant performances with Hamburgische Staatsoper, Oper Frankfurt, Lyric Opera of Chicago and Opéra National de Bordeaux.

Ukrainian bass Dmitry Beloselsky, a soloist with the Bolshoi Theatre who is quickly making a name for himself with performances at the Metropolitan Opera and Salzburg Festival, appears with the COC for the first time as di Luna’s officer, Ferrando.  COC Ensemble Studio mezzo-soprano Rihab Chaieb, recently heard in last spring’s Gianni Schicchi and the Ensemble Studio performance of Semele, is Leonora’s confidante, Inez; rising young Mexican-American tenor Edgar Ernesto Ramírez has his COC debut as Manrico’s aide, Ruiz; COC Ensemble Studio graduate bass Robert Gleadow, recently heard as the Speaker in 2011’s The Magic Flute, is the Old Gypsy; and new COC Ensemble Studio tenor Owen McCausland makes his company mainstage debut as the Messenger.

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One CommentLeave a comment

  1. Hi Marylou; Teresa and I bought the whole COC season this year and we will be at the Oct. 10 performance of Il Trovatore. I am still playing in Cambridge Symphony for maestro Sabatino Vacca. We have done a lot of opera experpts. No complete Operas yet, but I think that will happen within my tenure. We even accompanied Ben Heppner a couple of years back in a solo recital. Great fun. Hope to see you at the opera sometime. Fondest regards from your old friend and record shop owner, Peter Kellett ( Downtown Fine Music )

    By the way, I am very impressed with you writing skills. Your talents seem to be limitless. Peter

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